Juniper Movie – You have enough problems as a teenager. When his mother dies, 17-year-old Sam (George Ferrier) finds himself in a particularly bad situation. He and his father (Márton Csókás) now live in a free house in New Zealand. Sam’s mood worsens when his father announces that his sick grandmother is coming from the UK. Ruth (Charlotte Rampling) is not on good terms with her son or grandson. Sam doesn’t know his grandmother very well and doesn’t want anything to do with her or even help her in everyday life. For the latter, his father hires a nurse, Sarah (Edith Porr). This not only helps Ruth, who sits in her chair all day with a broken leg, to the toilet, but also ensures that the carafe of gin and water is always with her. Sam tries to ignore his grandmother’s presence as much as possible, which of course is impossible when we live in the same house. When his father had to go to England for a while on business and leave Sam in New Zealand with Ruth, conflict between them was inevitable.
An angry teenager and an old, bitter alcoholic – what will happen? It’s as good as you’d expect as a viewer here. The first scenes in which Sam and his grandmother are seen together are still characterized by silence and quiet affection. Aggression is then unleashed in the form of a war of ugly words until both get to know each other better. In this regard, author and director Matthew J. Saville’s first feature film offered no surprises. Charlotte Rampling, one of the doyens of European and Hollywood cinema, stands out here. His scornful look and blunt words are the most important. Although Sam teases him, the audience is fascinated by the few facial expressions Rampling uses to characterize his character, he can’t even get out of his chair. Basically, there are no “big” scenes where the rags really fly and the actors let off steam. Instead, it’s all in a more nuanced setting, but that doesn’t mean there’s great acting here.
Once again, it impressively demonstrates how much growth can be achieved with just a few approaches. If her Ruth is initially cold, monosyllabic and sometimes sadistic, Rampling later shows her warm side and allows the character to be open and sensitive. George Ferry as Sam does very well in comparison. At first he has to play a closed-off, stubborn teenager; later, his interest and affection for Ruth seems genuine and natural. At first, Sam doesn’t know much about the old owl. As the two grow closer, Ruth’s past is revealed and the reasons for the hatred and estrangement between various family members are explored. But don’t expect spectacular discoveries. From this point of view
Release Date: February 13, 1981 Movie Title: The Dogs Of War Studio: Juniper Films Director: John Irvin Plot: Jamie Shannon Is A Soldier Of Fortune A Mercenary Who Will Stage A
Both lead actors make their characters’ transformations believable and understandable. As an audience member, you’re excited to embark on this emotional journey with them because, as mentioned earlier, it’s very clear where the film is going. Although many of the characters turn you off at first, you grow to like them all as the story progresses. Like this or that
Being a little too sentimental and sentimental at times. But the film will not leave anyone cold. In addition to the acting performances, you can also enjoy many beautiful landscapes of New Zealand. Some of the scenes with Charlotte Rampling are definitely the highlights of the movie. All said
But “just” a common and equally common story. It’s nice enough to warm the heart.
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Juniper’ Review: Charlotte Rampling Rules In New Zealand Drama
“The Juniper” presents a classic family drama set against the backdrop of the lush green landscapes of New Zealand. Charlotte Rampling is wonderful as always, but the film has no major surprises.
George Ferrier’s Sam grows stronger after his mother’s death. After returning from boarding school to find his father (of famous Csokas) on his way to the UK, Sam discovers that his injured grandmother Ruth (Rampling’s dismissal) has moved away.
A mere bell ringer screaming for help and consumed by copious amounts of gin, Ruth is nothing Sam needs, a useless invalid in a house destroyed by death. Meanwhile, Ruth has no interest in Sam, choosing to view him as a slave to her alcoholic desires.
But when Ruth suggests an alcoholic branch, the pair begin to grow closer despite their bad behavior and abusive behavior…
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It may be a sentimental family drama, but Juniper has some introspective qualities that will appeal to viewers.
Of course, Rampling revels in his character’s more caustic and seemingly fragile traits, complemented by his laid-back attitude and bittersweet script. and Ferry plays well, from self-absorbed introspective teenager to blossoming adult. Of course, there is some darkness in the beginning and it takes a while for the film to settle into a lighter tone as the family endings become more visible.
In all fairness, there’s nothing new here – this story of rural isolation and teenage depression isn’t anything we haven’t seen before, but Saville keeps things fresh to keep the audience engaged. The use of sound effects in the countryside is impressive, and Ruth’s bell rings and the stomping continues as a result of the battle of wills.
Despite being 90 minutes long, Juniper begins to weigh on the 60-minute mark, as if the exploration effort weighs on the production.
FranzÖsischen Leutnants Frau 1981 Juniper Film Mit Jeremy Irons Und Meryl Streep Stockfotografie
After the slow opening, Sam and Ruth’s self-loathing and the more sensitively crafted moments between their performances seem to have caught on. It’s actually a film that leads to a very predictable ending and follows a very familiar path, but handles it with relative aplomb and intelligent commitment.
The Amazing Maurice: Movie Review Cast: Hugh Laurie, Emilia Clarke, David Tennant, David Thewlis, Himesh Patel Director: Toby Henkel T… An alcoholic war photographer and his grieving teenage grandson are brought together for the first time in this insightful . feature by Matthew J Saville
“Give me the demon you little shit!” Only Charlotte Rampling could play this role: a veteran war photographer known for his adventures, courage and drinking. Now old, sick and afraid to be alone, Ruth flew from England to New Zealand to stay with her son. The little bastard is his teenage grandson Sam (George Ferrier), who has recently been kicked out of school. He is grieving his mother’s death and doesn’t like being home alone with Ruth. “I don’t care about that old bastard.”
You can see exactly where this is going. Ruth and Sam – each raging in the world – create friendship and a sense of peace. However, although first-time director Matthew J Saville won no awards for originality, he made an emotionally satisfying film. It’s done in beautiful words about how alcoholism and dysfunction can be generations of misery.
Juniper · Film 2021 · Trailer · Kritik
The image of the dogged war reporter is a bit of a movie cliché. But Rampling adds layers to the brilliant, brash, arrogant Ruth and shows her affinity for those who suffer. Farmer is also great, as Sam, with raw grief and defiance.
Juniper, unfortunately, lags a few moments behind the made-for-TV version. It’s a shame because it directly empowers elsewhere. There is a scene where the doctor advises Ruth to insert a catheter. He replies stiffly, “If I meet someone, we’ll have a few drinks and…?” She leaves the last page hanging, watching with pleasure as the doctor explains to her that she should abstain from sex. In another, he looks in the mirror. “I’ve still got it” – and the Ramping boy still has it.
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