Fractured – Things aren’t going so well between Ray (Sam Worthington) and Joanna (Lily Rabe). There are arguments again and again, even now that they are on a family trip and should actually be together. And that’s the least of evils, because daughter Peri (Lucy Capri) falls while she stops at a gas station. After all, only her arm appears to be broken. And the doctors at the nearby hospital assure them nothing worse has happened. Peri will be on his feet soon. When Ray asks about her after several hours of waiting, suddenly no one wants to know anything about her. Meanwhile the workforce has been replaced and the girl does not appear in the archives. Frantically, Ray starts looking for her and is ready to cross any limit…

Netflix and film festivals, most people will think either of the big battle with Cannes or the collaboration with the Venice Film Festival, where last year the Oscar winner



Debuted. Somewhat in the shadow of these big players is Fantastic Fest, with which the streaming service has had a good working relationship for several years. Visitors to the largest genre festival in the United States were able to preview various Netflix horror and thrillers. Among other things, the adaptations of Stephen King’s The Games have also become famous there

Kaima, The Fractured Calm (foil)

Obviously, Fractured fits well into the schedule, which will also be released worldwide about three weeks after its first appearance – after all, the range of dark titles needs to be expanded a bit for Halloween. However, whether a thriller is the best choice for this is debatable. And even if you wanted to call the film a thriller. Because in fact several stories are being told at the same time, some of which are intertwined and some of which have nothing to do with each other. Something like this can work, but it doesn’t have to. In this case, the result is quite mixed.

) invests a lot of time in establishing the couple and their relationship. Or their detachment. It quickly becomes clear that the marriage is no longer working the way it should when the smallest thing leads to an argument. And it is clear to both. Actually, at first one thinks

It would be a marriage drama, not a thriller that shows and dissects the two main characters. It is only later, when strange things happen in the hospital and suddenly no one can find Joanne and Peri, that the film changes its genre and the real subject begins.

A minor issue is the fact that it takes a relatively long time to speed up the story, especially since Anderson has as much reason as he does for doing so. Worse, even in its prime there isn’t much that’s really exciting.

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Tries to keep a balance between a mystery thriller and a portrayal of a mentally damaged man. Related question: What is real, what is imagined? The film reminds us of this, for example

, also centered on an unreliable character who wanders around the clinic in search of the truth. This sort of thing is often entertaining, as it allows the audience to guess and speculate about what is actually playing.

However, it is not entirely possible to break away from this familiar and frequently visited environment. A real secret, for example, is not a secret, only the minimum number of viewers should have a hard time knowing the solution in advance. Even if Anderson really picks up the pace and gives no respite to the protagonist or the audience, the film is not very exciting. But the second aspect, the portrait of a distraught man, is also not very convincing. Sam Worthington, first of all


Known, he visibly tries to clarify the panicked father of the family. However, he lacks the acting skills to make him an interesting character. Therefore, the thriller is more than functional.

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First a marital quarrel, then his daughter’s broken arm and finally strange happenings in the hospital: “Fractured” barely gives the protagonist time to catch his breath. Despite the subsequent high pace, the thriller is not all that gripping, as the ending is very predictable. Even as a portrait of a mentally damaged man, this isn’t enough. FRACTURED is a new Netflix thriller starring Sam Worthington and Lily Rabe. The Netflix movie is full of mind games and mysteries that will keep you guessing till the end. While you can guess the plot elements, it’s a lot of fun. Read our full Fractured review here!

Is a new Netflix thriller directed by Brad Anderson. It’s a blast, and as such, it’s highly entertaining and engaging. Sure, you’ll probably guess at least some plot elements. However, this type of Netflix movie is basically trying to keep you guessing.

However, you won’t know for sure what’s going on until all is revealed near the end. For me, the last few scenes were crazier than I expected. And I mean that in a very positive way indeed!

Since this is a Netflix thriller, you will know very quickly that something strange is going on when Ray (Sam Worthington) experiences strange things. And while we don’t know exactly what’s going on, you can’t help but hear about Sam Worthington’s Ray, who makes it all work.

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What I loved about Ray Monroe’s character is that we see him as a “less than perfect” (to put it mildly) father and husband from the very first scene. He fights his demons and his wife Joanne (played with heartbreak and emotion by Lily Rabe of

Another thing that works really well is the fact that the doctors in this hospital seem pretty suspicious. That said, you can’t blame Ray for being quite drastic at times. Then again, remember that until the very end, we see everything through Ray’s eyes.

If you’ve seen The Voices with Ryan Reynolds (read our review here) you might have an idea what I’m talking about. You absolutely should when you watch the finale


It always builds towards an ending that will answer all your questions. No, this is not where I do the whole “ending”.

Fractured Ending, Explained

Explained” because it really isn’t necessary. By the end of this Netflix thriller, all your questions will be answered.

It’s simply if you’ll guess what’s going on. I have to admit that I got some elements right, but definitely not all. Especially some elements that could become fatal for someone who has nothing to do with Ray, his wife Joanne or his daughter.

Instead, the Netflix thriller keeps you on the edge of your seat as you simultaneously try to empathize with Ray (Sam Worthington) and question his reality and his state of mind.

Is written by Alan B. McElroy who has worked on many horror films. The first script he produced was for

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Franchise in 2003, when he wrote the screenplay for the first film. The seventh film in

The franchise is currently filming. It’s supposed to be a reboot of the horror franchise, and obviously, Alan B. McElroy is writing the script.

Is definitely more thriller than horror, it should also work as a very entertaining Netflix movie for horror fans. It’s quite dark and crazy in some unexpected ways. Not without fail, but you shouldn’t be bored.


Returning home after a tense holiday weekend with his in-laws, Ray Monroe (Sam Worthington), a well-meaning but overwhelmed family man, stops by a resort with his wife Joanne (Lily Rabe) and daughter Peri (Lucy Capri ). The trip takes a turn for the worse when Peri dies in an accident and the family rushes to a nearby emergency room run by staff with dubious intentions. After being sent for further testing, Peri and Joanne disappear and all records of their visit disappear. Ray’s concern turns into a desperate race to find his family and find out the truth about what happened to them.

Bismarck Police Department Represented In Netflix ‘fractured’ Movie

I write reviews and summaries of Horror Heaven. And yes, I scream when I watch a good horror movie. I love psychological horror, survival horror and women. So I have a soft spot for a good horror comedy. Oh yeah, and I absolutely hate when animals get hurt in movies, so I’ll immediately think less of any movie where animals get hurt for fun (even if the animals are just really good actors). Thankfully, horror doesn’t use it as much as comedies. And people assume horror fans are the ones screwed up. Horror without monsters, that’s how one might describe the thriller genre, once a highly respected branch of suspenseful cinematography, which has declined in prominence in recent years. With “Fractured”, Netflix now presents a classic representative of the genre, also developed to full size thanks to the work of Alfred Hitchcock. And it often shows the individual fighting against the system. Can Netflix’s latest thriller convince suspense thriller fans?

Whether “The Invisible Third Party” or “The Man Who Knew Too Much”: In his golden age, Alfred Hitchcock created some of the strongest thrillers cinema has to offer today

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